{"id":562312,"date":"2022-01-15T18:23:00","date_gmt":"2022-01-15T17:23:00","guid":{"rendered":"https:\/\/urban-nation.com\/?p=562312"},"modified":"2022-06-15T10:18:04","modified_gmt":"2022-06-15T08:18:04","slug":"buecher-in-der-mcl-amsterdam-on-tour-the-early-signs-of-dutch-graffiti-2019","status":"publish","type":"post","link":"https:\/\/urban-nation.com\/de\/2022\/01\/buecher-in-der-mcl-amsterdam-on-tour-the-early-signs-of-dutch-graffiti-2019\/","title":{"rendered":"B\u00fccher in der MCL: AMSTERDAM ON TOUR. The early signs of Dutch graffiti. 2019."},"content":{"rendered":"\n

Als die New Yorker Tradition des Graffiti Writing Anfang der 1980er Jahre durch Filme und B\u00fccher wie Subway Art<\/a>, Wild Style! und Style Wars weltweit Aufmerksamkeit und vor allem Nachahmer fand, war das sogenannte Namewriting vielerorts ein g\u00e4nzlich neues Ph\u00e4nomen.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Amsterdam nimmt in Europa diesbez\u00fcglich jedoch eine Sonderrolle ein. Zwar finden sich auch hier in den siebziger Jahren Parolen, Spr\u00fcche und Kritik zu aktuellen politischen Themen wie dem Ausbau der Metro oder der st\u00e4dtischen Wohnungspolitik, durch das Aufkommen der Punkbewegung \u00e4ndert sich aber die Intention \u201evom Aktivismus zum Egoismus\u201c. Da die illegal angebrachten Slogans oft jahrelang in der Stadt zu sehen sind, nutzen vor allem Punkbands und deren Fans diese Tatsache aus um mit ihren Namen im Stadtbild zu werben.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In AMSTERDAM ON TOUR<\/a> zeichnet der Writer AGAIN nach, wie aus dieser Bewegung das Schreiben von individuellen Pseudonymen einer neuen Generation hervorgeht. Denn bereits 1979, Jahre bevor Graffiti Writing aus Amerika nach Europa kommt, ist Amsterdam \u00fcbers\u00e4t von den Signaturen von THE DUMB, KODIAK STONE, VENDEX oder N-POWER.<\/p>\n\n\n\n

Parallel zur Entwicklung der Tags zu teils aufw\u00e4ndigen kalligrafischen Schriftz\u00fcgen, oft kombiniert mit figurativen Elementen, greifen Plakat- und Schablonenk\u00fcnstler wie Hugo Kaagman<\/a> und Diano Ozon zudem die Bildsprache und den Stil der Street Art vorweg.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Als ab 1983 die Yaki Kornblit Galerie nicht nur New York Graffiti ausstellt, sondern auch Writer wie SEEN, FUTURA<\/a>, BLADE und ZEPHYR einl\u00e4dt, hinterlassen diese ihre Spuren in der Stadt und beeinflussen die bereits existierende Szene. Locals wie SHOE<\/a>, DELTA und JEZIS adaptieren die Form der Pieces und pr\u00e4gen mit ihren Styles seit Mitte der 80er Jahre entscheidend den Stil der aufkommenden Graffitiszene in Mitteleuropa. <\/p>\n\n\n\n

Das Buch dokumentiert mit einmaligen historischen Fotos und Interviews den \u00dcbergang zweier unabh\u00e4ngiger Arten des Namewritings im Amsterdam der achtziger Jahre.<\/p>\n\n\n\n

Fotos: Steffen K\u00f6hler     Text: Sascha Blasche<\/p>\n\n\n\n

Hier geht es zum Buch in der MCL.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Als die New Yorker Tradition des Graffiti Writing Anfang der 1980er Jahre durch Filme und B\u00fccher wie Subway Art, Wild Style! und Style Wars weltweit Aufmerksamkeit und vor allem Nachahmer fand, war das sogenannte Namewriting vielerorts ein g\u00e4nzlich neues Ph\u00e4nomen. […]<\/p>\n","protected":false},"author":21,"featured_media":562313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[106,114],"tags":[],"un-event-series":[],"class_list":["post-562312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-de","category-urban-nation-de"],"acf":[],"yoast_head":"\nB\u00fccher in der MCL: AMSTERDAM ON TOUR. 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