{"id":5838,"date":"2017-05-26T13:18:44","date_gmt":"2017-05-26T11:18:44","guid":{"rendered":"https:\/\/urban-nation.com\/?post_type=post&p=5838"},"modified":"2022-06-17T20:21:34","modified_gmt":"2022-06-17T18:21:34","slug":"evan-pricco-curates-what-in-the-world-at-urban-nation-for-pm12","status":"publish","type":"post","link":"https:\/\/urban-nation.com\/de\/2017\/05\/evan-pricco-curates-what-in-the-world-at-urban-nation-for-pm12\/","title":{"rendered":"Evan Pricco Curates \u201cWhat In The World\u201d at Urban Nation for PM\/12"},"content":{"rendered":"\n

\u201cThe graffiti and Street Art movements \u2013 they have all these tentacles and they can be non-linear.\u201d<\/em><\/p>\n\n\n\n

\n\n\n\n

A new exhibition in Berlin\u2019s neighborhood of Sch\u00f6neberg epitomizes one of the central schisms that has vibrated through Street Art and graffiti for years: the question of where to draw boundaries between these two scenes. Each may have been born in the margins of society but are now evermore commingled. Debates aside, everyone agrees that once in the gallery space, street become fine art after all.<\/p>\n\n\n\n

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Erosie on the left with Grotesk\u2019s Juxtapoz News Stand on the right. What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

As Editor-in-Chief of the San Francisco based art magazine Juxtapoz<\/a> and curator of this \u201cWhat in the World<\/a>\u201d show at Urban Nation\u2019s project space, Evan Pricco is well aware of the landmines that can explode when one is negotiating the terminologies and practices of sundry sub-cultural art manifestations that have bubbled to the surface in the last decades and which now often melt with one another inextricably.<\/p>\n

\u201cThe graffiti and Street Art movements \u2013 they have all these tentacles and they can be non-linear,\u201d Evan says as we walk down a subterranean parking ramp to see a low, long outdoor mural by Sweden\u2019s EKTA; an abstract series of roughly square patches that closely emulate the sewn panels he has suspended from the ceiling inside the gallery.<\/p>\n

Speaking of the tentacles, he continues, \u201cIt can be starting points to end points \u2013 it can be end points to starting points. There are all of these different cultures that grew out of that 1970s-80s set of counter-culture art movements.\u201d<\/p><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Hyuro. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

\u201cI think the people that I really wanted in this show are kind of on the periphery of that. They clearly dip their toe into those movements, are clearly influenced by them. Their practice doesn\u2019t necessarily fit in with what is going on in Street Art and graffiti but also its informed by it.\u201d<\/p>\n

To introduce a new crop of artists to Urban Nation that haven\u2019t been shown here yet, Pricco choses some of Europes street\/mural\/conceptual artists who emphasize color and mood, an expansionist approach that he welcomes at the magazine as well. Not surprisingly, the range reflects some of the same interests you\u2019ll find flipping through the influential art publication; old school graffiti, commercial illustration, comic book history, abstract fine art, political art, some lowbrow, some conceptual. There is even Grotesk\u2019s newsstand, the actual one that he designed and constructed with Juxtapoz that sat in Times Square in October 2015.<\/p><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Erosie on the left with Grotesk\u2019s Juxtapoz News Stand on the right. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Primarily from Europe and raised in the hothouse of the 1990s epic graffiti scenes that enthralled youth in many EU big cities, this group of 7 artists each has moved their practice forward \u2013 which may lose them some street cred and gather new audiences.<\/p>\n

Included are Berlin\u2019s Daan Botlek, Sweden\u2019s EKTA, Ermsy from France, Erosie from the Netherlands, Hyuro from Spain, Serge Lowrider from Switzerland and Zio Ziegler from the US. If you speak to any of them, you may find the commonality is the freedom they actively give themselves to pursue an autonomous artistic route not easily categorized.<\/p><\/p>\n\n\n\n

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Erosie at work on his piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Lowrider is clearly in love with the letter-form, as is the graffiti tradition, but he steers sharply toward the calligraphic practices of crisp sign-painting and inverting the pleasantly banal messaging of advertising from an earlier era. Perhaps the tight line work overlaps with tattoo and skater culture, two creative brethren frequently in the mix in graffiti and Street Art scenes.<\/p>\n

Hyuro uses a figurative symbolism heavy with metaphor and a color palette that is too understated for the flashy graphics that many associate with today\u2019s mural festivals, yet she\u2019s built a dedicated following among Street Art fans who admire her poke-you-in-the-eye activist streak. Daan Botleks\u2019 figures wander and cavort amidst an abstractedly shaped world calling to mind the shading of early graffiti and the volumizing pointillism of Seurat after some wine.<\/p><\/p>\n\n\n\n

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Daan Botlek at work on his piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Painter Jeroen Erosie emphatically will tell you that he was in love with graffiti when he first did it on the streets as a teenager \u2013 and for many years afterwards. But he says he ultimately bristled at a scene that had once symbolized freedom to him but had become too rigid and even oppressive in its rules about how aesthetics should be practiced by people \u2013 if they were to earn respect within the clan.<\/p>\n

At Saturday nights opening along B\u00fclowstrasse with the front doors open to the busy street and with the sound of the elevated train swooshing by overhead, Erosie explained with a gleeful certainty his process of deconstruction that led him to this point. \u201cI removed one of the pillars of graffiti from my work and I liked the result, the change. So I started to remove more pillars, one by one,\u201d he says, describing the evolution that transformed his letter forms and colors into these simplified and bold bi-color icons that may call to mind Matisse\u2019s cut outs more than graffiti bubble-tags, but you\u2019ll easily draw the correlation if you try.<\/p><\/p>\n\n\n\n

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Daan Botlek. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

The Project M series of exhibitions over the past three years with Urban Nation, of which this is the 12th, have featured curators and artists from many backgrounds, disciplines, and geographies as well. The myriad styles shown have included sculpture, stencil, wheat paste, collage, calligraphy, illustration, screen-printing, decoupage, aerosol, oil painting, and even acrylic brush. It has been a carefully guided selection of graffiti\/Street Art\/urban art\/fine art across the 12 shows; all presented respectfully cheek to jowl, side by side \u2013 happily for some, uncomfortably for others.<\/p>\n

The ultimate success of the Project M series, initiated by UN Artistic Director Yasha Young, is evident in just how far open it has flung the doors of expectation to the museum itself. When the house opens in four months it will be a reflection to some extent 140 or so artists who pushed open those doors with variety of styles emblematic of this moment \u2013 converging into something called Urban Contemporary.<\/p><\/p>\n\n\n\n

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Daan Botlek and Ekta. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

\u201cWhat in the World\u201d indeed: this show is in perfect alignment with the others in its wanton plumbing of the genres.<\/p>\n

\u201cI was trying to find people that are not part of the regular circuit \u2013 and I don\u2019t mean that in a negative way but I mean there is kind of a regular circuit of muralism and Street Art right now \u2013 but I was looking for people who are really sort of on that periphery,\u201d Pricco says. \u201cAlso because they are coming from these different parts of Europe, which to me sort of represents Juxtpoz\u2019 reach, and they all kind of know each other but they\u2019ve never really met \u2013 they all kind of bounce off of each other.\u201d<\/p><\/p>\n\n\n\n

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Ekta. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Brooklyn Street Art:<\/strong> This grouping sounds anathema to the loyalty that is often demanded by these scenes \u2013 particularly the various graffiti scenes in cities around the world. You are describing an artistic practice that has a sort of casual relationship to that scene.<\/em><\/p>\n

Evan Pricco:<\/strong> Right. And I think all of these artists have these graffiti histories but they weren\u2019t completely satisfied with that kind of moniker or label. So it is slightly expanding out now. And then there\u2019s something about them that makes me think of crafts, especially with Serge who is more of a sign-painter. I felt that all of these people approached their work in a way that felt very craft-oriented to me, and I really appreciated that. That\u2019s kind of what I wanted to show too.<\/p><\/p>\n\n\n\n

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Ekta. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Brooklyn Street Art:<\/strong> Each of these artists appears to have a certain familiarity with the art world that is outside a more strict definition of street culture \u2013 graffiti and Street Art and their tributaries. Would you say that you could see a certain development of personal style in this collection of primarily European artists that might be due to exposure to formal art history or other cultural influences?<\/em><\/p>\n

Evan Pricco:<\/strong> Good question, and that could be the case for a few of the artists in the show, but I think the characteristics of each artist in the show is more of a result of the world getting smaller and influences and boundaries just blurring. You can see it Ermsy\u2019s pop-culture mash-ups, or Erosie\u2019s exploration of lettering and color; it\u2019s not really about one place anymore but a larger dialogue of how far the work reaches now than ever before.
\nErosie and I were having this conversation this morning about this, this idea of access and influences being so widespread. And that is exactly what I wanted to do. \u201cWhat In the World\u201d is sort of a nod to not really having to have boundaries, or a proper definition, but a feeling that something is happening. Its not Street Art, its not graffiti, but its this new wave that is looking out, looking in, and finding new avenues to share and make work.<\/p><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ermsie. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Brooklyn Street Art:<\/strong> From comic books to politics to activism to abstract to sign painting, this show spans the Hi-Low terrain that Juxtapoz often seeks to embrace in many ways. Is it difficult to find common threads or narratives when countenancing such variety?<\/em><\/p>\n

Evan Pricco:<\/strong> We have been so fortunate with the magazine that we have been able to expand the content in the last few years, and the threads are starting to connect solely based on the idea that the creative life is what you make of it. There may not be a direct connection between Serge Lowrider and Mark Ryden, but there is a connection in the idea of craftsmanship and skill and how one goes about applying that skill in the art world. That is always wanted I wanted to help bring to Juxtapoz \u2013 this idea that variety in the art world is healthy and finds its own connections just in the fact that it exists and is being made.<\/p><\/p>\n\n\n\n

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Ermsie at work on his indoor piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Brooklyn Street Art:<\/strong> Many of these names are not household names, though some have ardent fans within more narrow channels of influence. What role does a curator play by introducing these artworks\/artists to a new audience and what connections would you like a viewer to make?<\/em>
\nEvan Pricco:<\/strong> First and foremost, these are some of my absolute favorite artists making work right now. I do have the advantage of traveling a lot and meeting different people and seeing their process, but I really wanted to bring together a group that I hadn\u2019t personally met but admired and communicated with from afar.<\/p><\/p>\n\n\n\n

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Ermsie. Detail. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

I was thinking about this when I walked by Hyuro\u2019s wall this morning. Her work is incredibly strong, and it has this really fascinating way of being a story and narrative from wall to wall while remaining fresh and really site-specific. Her work here just blew me away; its so subtle, has this really unique almost anonymous quality to it, but has a ton of thought and heart in it.<\/p>\n

Really it would be great if the audience sees this and finds her other work, and starts seeing this really beautiful story emerging, these powerful political, social and economic commentaries. So really, I want that. I want this to be a gateway of looking at work and artists and then jumping into their really fantastically complex careers.<\/p><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Serge Lowrider at work on his indoor piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

Brooklyn Street Art:<\/strong> Urban Nation has invited curators from around the world and Berlin during these 12 \u201cProject M\u201d shows, each with a take on what \u201cart in the streets\u201d is, how it has evolved, and how it is affecting contemporary art. What makes this show stand out?<\/em>
\nEvan Pricco:<\/strong> I really do think what makes it stand out is that it represents all the things Juxtapoz stands for; Opening up an audience to something new and different. I think there is an aesthetic that the Project M shows have had, which I like, but I didn\u2019t want to repeat what everyone had done before.<\/p>\n

This is most definitely a Juxtapoz show; I mean our damned Newsstand that Grotesk designed is right in the middle of the space. But that is like this \u201crepresentation\u201d of the print mag, and all the walls around it are the avenues the magazine can take you; sign painting, textiles, graffiti, abstraction, conceptual art, murals, comics, politics. \u2026 So maybe in that way, the fact that the magazine is 23 years old and has covered such a big history of Lowbrow, Graffiti and other forms of art, this is a nice encapsulation of the next wave and generation.<\/p><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Serge Lowrider at work on his indoor piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Serge Lowrider at work on his indoor piece. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Zio Ziegler. <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Evan Pricco. Curator of <\/em>What In The World PM\/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo \u00a9 Jaime Rojo)<\/em><\/p>\n

\n

\u201cWhat In the World: The Juxtapoz Edition\u201d presented by Urban Nation<\/a> will be on display through June, 2017. <\/em><\/strong><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

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