Vesod was born in Turin in 1981 and he lives and works in a Venaria Reale. His artistic attitude has been fostered by his father Dovilio Brero, surrealistic painter, whose influence has an impact on Vesod since his youth: he […]
Vesod was born in Turin in 1981 and he lives and works in a Venaria Reale.
His artistic attitude has been fostered by his father Dovilio Brero, surrealistic painter, whose influence has an impact on Vesod since his youth: he has been therefore developing an interest in the graffiti world since the beginning of the 90s.
Due to the artistic partnerships and contacts which Vesod has started in those teenager years, he has lately begun his professional path. He has been seeking for ten years a personal painting language in which the graffiti plays a central role, while dedicating time to his own cultural and academic education.
Maths, which is the subject he got his graduation in, has an important impact on his works along with renaissance art and futurism. This can be recognized in Vesod’s attempt to harmonize anatomic proportion and futuristic dynamics. Vesod creates a personal language in which time is considered as a concept, which by being closed into immaterial solid shapes, is crystallized into geometric shape in order to revisit the idea of the eternal present.
This idea of representing the three dimensions of space and the time one all in a single moment may bring to a loss of importance of the flow of time . Hence you can detach from a vision of the world or of the single person as entangled to the frame of time linked to the present we live in.
By concentrating on this aspect, a complete overview on the idea of a total embrace of things from birth to death could emerge from the works. It could be said that the artistic works, on a figurative basis, refer to “a God’s point of view”
