Fresh A.I.R. is an artist in residence scholarship program in Berlin, which offers artists and cultural professionals in the field of Urban and New Contemporary Art the time, the space and the resources to devote themselves to an artistic project within the framework of a given thematic complex (and in accordance with the Fresh A.I.R. funding guideline of the Stiftung Berliner Leben).
During their stay, the scholarship holders have the opportunity to gain new impetus, to develop their art and to gain important experience for their future careers. Up to 13 scholarship holders will be invited to Berlin for 10 month.
We are facing complex challenges that jeopardize sustainable and peaceful coexistence. Questions about security, peace and future-proof social models are dominating social discourse. How can art contribute to a more optimistic view of the future, promote awareness of a peaceful future and inspire people to stand up for a peaceful co-existence? What artistic means are suitable for furthering the discourse on the greatest challenges for peace now and in the future? And what new, interdisciplinary collaborations between art and science, technology or activism are conceivable in order to imagine forward-looking ideas and solutions?
In »FUTURE VISIONS: Artistic Approaches to Peace«, we invite artists and cultural practitioners to apply with innovative projects that look optimistically towards the future and in which future-oriented and forward-looking narratives, scenarios and concepts are developed.
Funding will be provided for:
• Projects that take a critical look at the present and develop ideas for new political and social structures and propose alternative models,
• Projects that contribute to promoting self-involvement and/or strengthening personal self-efficacy, resilience and frustration tolerance as well as social support,
• Projects that address complex, multinodal relationships between security structures and the conditions for long-term peace and stabilization and develop possible scenarios for the further development of the security architecture to meet future challenges,
• Projects that involve actors from science, technology and social movements and promote and demand open dialog on global issues.
Download this public call as PDF here.
Art has the ability to convey the relevance and complexity of themes of our time in unexpected ways.
Under the title »I AM FLUX: The Freedom of Being and the Possibilities of Becoming«, the 10th class deals with the inexhaustible capacity for development and transformation of human beings and their perspectives on themselves.
We encourage artists to take a critical look at selected socially relevant thematic complexes and to apply with projects that contribute to raising awareness about the contents of the call and enriching ongoing discourses. Within the framework of »I AM FLUX«, three thematic fields of action, namely »HORIZONS OF BEING«, »WHISPERS OF EXISTENCE«, and »BEYOND LIMITS« are being introduced. Project ideas will be supported in which at least one of the three thematic focuses finds expression in the artistic works.
1. »HORIZONS OF BEING«
In the first thematic field of action »HORIZONS OF BEING«, artists and cultural practitioners are invited to investigate the multi-layered and dynamic nature of gender identity. Through artistic expressions, the focus is primarily on embodiments, practices and self-perceptions of people who do not identify with the gender assigned to them at birth.
Funding will be provided for:
• Projects that address the diversity and manifestation of gender identity and/or the development and shaping of gender possibilities, realities, as well as perceptions and representations,
• Projects that identify and critically artistically reflect upon the current heteronormative hierarchical structure of gender, both in its institutional and everyday routine forms,
• Projects that promote a broader conception of gender.
2. »WHISPERS OF EXISTENCE«
The second thematic field of action, »WHISPERS OF EXISTENCE«, is intended to emphasise the metaphysical dimension of art. Through artistic expression, the imagination is intended to be challenged and expanded in diverse ways.
Funding will be provided for:
• Projects that place art as a metaphysical activity at the center, addressing and reflecting upon ontological questions,
• Projects that artistically process a transgression of the experiential reality of the natural self.
3. »BEYOND LIMITS«
The third field of action, »BEYOND LIMITS«, serves as a platform supporting the exploration of various approaches through which art and creativity, in conjunction with other influences, endeavor to redefine the boundaries of the human in new ways.
Funding will be provided for:
• Projects that aim to experimentally expand human potential or those centered around (self-)creation within the imaginative space of natural or technological (further) development,
• Projects that examine ‘Creative Artificial Intelligence’ and the fundamentally changing possibilities of artistic expression resulting from the application of the latest technologies,
• Projects that delve into historical forms of surpassing bodily boundaries and explore the visions, opportunities, consequences, and dangers associated with them.
Download this public call as PDF here.
In the 9th edition of the artist scholarship, emphasis will be placed on the topics of play and childhood.
Under the title »UNSUPERVISED: Childhood Dreams and Fantasy Rebels«, the focus is on play as a creative force and culture-forming factor and connects with the potential of childhood.
Funding will be provided for
• Projects that incorporate playfulness and children’s worlds of fantasy and imagination, and that experiment with children’s pictorial languages and narratives,
• Projects in which children’s ways of playing are reflected and staged as a concept to perceive the world with autonomous rules,
• Projects in which childlike play spaces will be generated, which are aimed at creative production with children, and awaken children’s joy in playing,
• Projects that artistically ventilate philosophical approaches to play or production-aesthetic theories on the connection between art and play.
Download this public call as PDF here.
Read the artist texts and learn more about the project results of class #9.
The 8th year of Fresh A.I.R. is running under the title »LINGUISTIC XPEDITION«. It refers to the traditions of the artistic-literary avant-garde that dealt experimentally with language, such as Italian Futurism or multinational Dadaism. This also includes subsequent interdisciplinary and cultural-critical movements such as French Lettrism or Russian Transfurism.
In this year, the act of speech as a constitutive element of human perception and communication will be the focus of attention. The examination and the creation of verbal-linguistic actions are just as much of interest as the analysis of verbal thinking and verbal action. Aspects of current debates on the structural power of language, language-critical standards or the enforcement of discrimination-free language are to be advanced in creative ways. In addition, the scriptural form of language will be regarded as well as and potential forms of development of written language are to be worked out experimentally.
Funding will be provided for
• Projects that explore an experimental approach to spoken language and in which the involvement of local participants is included,
• Projects that focus on aspects of everyday language use and/or language and its communicative potential, critically reflecting on it in a linguistic-artistic-performative way or in autonomous, typographic forms of expression,
• projects that focus on the further development of written language (expressive power, functionality, etc.) or rethink linguistic signs in digital space (multimodality, interactivity, etc.).
Download this public call as PDF here.
Since the turn of the millennium, the global community has been facing a variety of political, economic and social challenges, such as extremist terrorism, financial crises and refugee crises, which have put our understanding of democracy and solidarity to the test. Most recently, the viral pandemic also shook the European community to its core and at times pushed it to its limits. Thereby, the pandemic-related decrees and restrictions on democratic freedoms served those who aimed to use emotional rhetoric and new populisms to influence opinion-forming processes and destabilize citizens’ trust in democratic institutions and free media. The degradation of public media as a reliable source of information complicates reasonable, fact-based discourse and democratic understanding between institutions and the population.
Art – essentially democratic itself, since it can be freely interpreted – needs democracy in order to thrive. Most recently though, art has experienced rarely seen restrictions in the time of the pandemic and temporarily fell silent as a critical corrective, as a means of social self-reflection and as a producer of political utopias. The call for proposals »PICTURING DEMOCRACY« of the seventh class of Fresh A.I.R. is aimed at European artists whose projects stimulate public discourse, develop strategies to protect democracy, and visually unfold imaginaries of future developments of democracy as a form of government.
1. »EXPLORING«
How did democratic societies develop and how is democracy practiced today?
In the first thematic field of action »EXPLORING«, artists are invited to analyze and process current events and political conditions, and to express them in their artistic projects.
Funding will be provided for:
• Projects that address theoretical models of democracy artistically,
• Projects that reflect on the current state of democracy and/or its history.
2. »PROTECTING«
In which ways can a democracy be threatened and what measures are conceivable to protect it?
In the second thematic field of action »PROTECTING«, the focus is on developing strategies to strengthen democratic values and institutions and to protect them from being attacked.
Funding will be provided for:
• Projects that critically address protests against and attacks on the democratic form of government,
• Projects that identify possible vulnerabilities of democratic forms of government and provide innovative ideas to strengthen democracy.
3. »RETHINKING«
Facing the future, what challenges do democracies have to prepare themselves for?
In the third thematic field of action »RETHINKING«, artists are invited to work out what democracy means in the 21st century and to imagine how it can develop in the future.
Funding will be provided for:
• Projects in which the mutability of democracy is considered and which address possible transformation processes,
• Projects that offer viable solutions for future challenges by engaging with analyses from the humanities and social sciences.
Download this public call as PDF here.
»REFLECTING MIGRATION« opens three thematic fields of action: »FRAMING«, »(RE)TELLING« and »LIVING«. Voices from different perspectives are made audible and visible in the various aesthetic and artistic forms of expression. Funding will be provided for project ideas in which one of the three thematic focuses is expressed through artistic means.
1. »FRAMING«
In »FRAMING«, the first thematic field of action, artists and cultural practitioners are invited to visualize
in their project how cultural difference is negotiated in contemporary social debates.
Funding will be provided for:
• Projects that reflect ideas and attitudes about one’s own or foreign cultural identities,
• Projects that critically discuss media representations of migration,
• Projects that address theoretical models of migration artistically.
2. »(RE)TELLING«
In the second thematic field of action »(RE)TELLING«, artists and cultural practitioners are invited to examine the current situation of new immigrants and to give people with migration experience a voice in their artistic project. The artistic presentation of worlds of experience and projection, of life situations and perspectives, and of desires, longings, and memories is at the center of this thematic unit.
Funding will be provided for:
• Projects that intend the participation of persons with migration experience or migration experts,
• Projects that emphasize personal life stories and personal perceptions,
• Projects that promote transcultural dialog between members of the home and the host society.
3. »LIVING«
City stories are always connected with stories of migration, in which migrants and their second or third generation descendants become visible in many different ways, (co-)designing and acting. In »LIVING«, the third thematic field of action, the focus will be on places designed by people from different cultural backgrounds that at the same time offer space for the development of diverse life strategies.
Funding will be provided for:
• Projects that make cultural identity visible in urban contexts,
• Projects that take a critical look at urban development issues,
• Projects that artistically reflect the heterogeneity of migrant living environments.
Download this public call as PDF here.
We solely fund projects of which content, implementation and planned outcome are compatible with the principles of Fresh A.I.R., the Foundation Berliner Leben and the free democratic basic order. Projects with racist, anti-Semitic, queer-hostile or otherwise exclusionary and denigrating content are excluded.
The Fresh A.I.R. scholarships will be awarded for 10 months. The value of the scholarship amounts to a total of up to 2,100 euros per person, per month. This amount is broken down, as follows:
For questions about the scholarship, please write an email to FreshAIR-office@stiftung-berliner-leben.de.
→ FAQ (pdf 2.0 MB)
With the Fresh A.I.R. scholarships, the Stiftung Berliner Leben supports:
General Requirements
The scholarship has no age limit. It is irrelevant whether the applicant has a university degree or not. Scholarships are awarded to individuals. Former scholarship holders of the Fresh A.I.R. scholarship are excluded from reapplying.
Important Information
We solely fund projects of which content, implementation and planned outcome are compatible with the principles of Fresh A.I.R., the Foundation Berliner Leben and the free democratic basic order. Projects with racist, anti-Semitic, queer-hostile or otherwise exclusionary and denigrating content are
excluded.
We welcome project ideas that aim to actively involve the active involvement of local participants and organizations. Potential partners (institution, organization, association, public figure) should therefore be researched and named as part of the project application. If the project is approved by the foundation, these partners should be contacted immediately regarding cooperation. In addition, a backup should always be considered to replace any missing cooperation partners.
For project ideas that can only be realized in cooperation with a project partner (institution, organization, association, public figure), written proof of this partner’s willingness to cooperate must be submitted by e-mail at the time of application, stating the applicant ID. The same applies to applications from people who belong to a network (e.g. artists, scientists, cultural workers, etc.) or who are associated with such a network and plan to involve this network as external partners in their project. In addition, a backup should always be considered in order to replace missing cooperation partners if necessary.
→ Funding guideline (pdf 0.6 MB)
Information
The Fresh A.I.R. scholarships of the Foundation Berliner Leben offer artists and cultural practitioners the time, space and resources to devote themselves to an artistic project in accordance with the Foundation’s funding priorities. Up to 13 artists are invited to live and work in our artist residencies in Berlin for 10 months. The current call is for the 12th class starting in February 2027 and ending in November 2027.
Thematic Call: »UNDER CONSTRUCTION: Cartography of Identites in Transition«
There are times in life when the self seems to blur – not lost, but without firm ground. Breaks in identity are not only personal experiences; they also reflect social and political change. At a time when Europe is confronted with divisions and with its shared values being called into question, engaging with issues of belonging, origin and memory takes on new urgency.
»UNDER CONSTRUCTION: Cartography of Identities in Transition« is dedicated to these in-between spaces: moments in which familiar identities begin to crack, narratives fall apart and new meanings are not yet tangible. The focus is on phases of life in which identity once seemed clearly defined but has dissolved, disappeared or been consciously shed – as a break-out from a role determined by others. At the centre lies the field of tension between self and stories, between past, memory and possibility. This call understands itself as an invitation to explore the space between past and present.
Funding will be given to:
• Projects that examine what remains when familiar narratives fall apart.
• Projects that explore how identity can be newly developed or further evolved after a break between self-knowledge and self-creation.
• Projects that trace how political upheavals affect individual self-image and/or analyse the role art plays in dealing with collective memory, suppressed histories and identities that need to be redefined.
Artists and other cultural practitioners whose biographies are marked by loss of belonging, ruptures (e.g. with their family of origin), repression, uprooting or systemic transformation are invited to apply – particularly with regard to the political changes in Europe since 1989. We are looking for artistic responses to loss and fracture of identity, self-alienation and reconstruction – regardless of whether these experiences were lived first-hand, felt through their after-effects, or inherited through family and cultural memory.
We explicitly invite applicants to use autobiographical, genealogical or family-historical research as the basis for their artistic engagement. Private artefacts, suppressed stories, contradictory accounts or the silence between generations can serve as starting points for new artistic narratives – in which identity appears not only as loss, but also as a possibility that is visibly »under construction«.
Application
Application deadline: Sunday, 22nd February, 2026
Applications can only be submitted via the application platform.
Please direct any other enquiries to: FreshAIR-office@stiftung-berliner-leben.de.
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→ Download call as PDF here. (pdf 3.1 MB)
Selection is made by a rotating selection committee. The decision of the selection committee is final and may not be challenged. There is no legal claim to the awarding of a Fresh A.I.R. scholarship. Applicants will be notified of the decision, but not the reasoning.
A heartfelt thank you to the previous members of our selection committee:
Janine Arndt (Artistic Director Fresh A.I.R.) | Prof. Dr. Kerstin Brandes (University of Bremen) | Dr. Hans-Michael Brey (Board of Foundation Berliner Leben) | Prof. Dr. Kerstin Brandes (Institute for Art Studies, Bremen University) | Heike Dander (Executive Curator LUMAS Gallery) | Prof. Dr. Burcu Dogramaci (Institute of Art History, Ludwig Maximilians University of Munich) | Katrin Göhler (Fundraising Manager Malteser Hilfsdienst e.V.) | Sven Harke-Kajuth (Head of Digitalisation and Corporate Services, Gewobag) | Dr. Anke Hervol (Head of the Visual Arts Section, Akademie der Künste Berlin) | Nadia Kaabi-Linke, PhD (Conceptual artist) | Prof. Dr. Barbara Kaesbohrer (Art Educational Institute, Osnabrück University) | Dr. Larissa Kikol (Independent art critic and historian) | Prof. Karen E. Kipphoff (Norwegian Theatre Academy) | Prof. Dr. Helen Koriath (Art-Historical Institute, Osnabrück University) | Dr. Heiderose Langer (Former Managing Director of the Erich Hauser Art Foundation) | Prof. Antonia Low (Professor of Sculpture, Scenography – Costume – Experimental Design programme, Hanover University of Applied Sciences and Arts) | Dr. Olena Lykhovodova (Curator of Ukrainian Programme at the Goethe-Institute in Exile in Berlin) | Dr. Noor Mertens (Art Museum Bochum) | Susanne Moser (Artistic Director and Managing Director, Komische Oper Berlin) | Tim Renner (Former State Secretary for Culture in Berlin) | Jan Sauerwald (Director URBAN NATION Museum) | Andrea Scrima (Installation artist, independent art critic and author) | Paul Spies (Chief Curator of the State of Berlin at the Humboldt Forum) | Dr. Gabriele Uelsberg (Member of the Executive Committee of the North Rhine-Westphalia House of History Foundation in Düsseldorf) | Prof. Dr. Melanie Ulz (Heidelberg Centre for Transcultural Studies, Heidelberg University), Dr. Silke Vry (Art historian and children’s book author) | Prof. Susanne Weirich (Institute for Art and Art Studies, University of Duisburg-Essen) | Yasha Young (Director URBAN NATION Museum)
*The position indicated in brackets refers to the time of participation of these persons in the selection committee.
Agata Mendziuk stays in flux in both her life and artistic work. Raised and educated in two culturally distinct regions of Poland (Zagłębie / Silesia),…
Dylan Mitro (b. 1995) from Toronto, Canada; Dylan has been practicing forms of Queer storytelling through photography and filmmaking. First finding their craft within Toronto’s…
Hugo Pétigny is a French visual artist born in 1992, who graduated at the University of Lille, the Beaux-Arts of Tourcoing, and the Studio National…
Jivan van der Ende (1993, Netherlands) is a multi-disciplinary visual artist. Her artistic practice consists of performances, installations and print work. An important subject within Jivan…
Julla Kroner explores in her artistic practice the question of how and why humanity engages in storytelling. A story is primarily a unifying element of…
Lena Becerra (b. 1994) is an Italo-argentinian artist working across multiple mediums. Her surgically arranged ecosystems summon contemplation of alternative forms of social fabric in…
Lena Biresch originally comes from a theatre background, where she worked as an assistant director, playwright, and director. Since 2016, she has increasingly focused on…
Linda Marwan is an interdisciplinary installation artist. She employs sculpture, painting, and digital media to create concentrated ensembles. Within these works, animals, plants, hybrid beings,…
Mariana Carranza (Uruguay/Germany) is a media and digital artist with a multidisciplinary background. She studied architecture at the University of Montevideo. Supported by international scholarships,…
An interdisciplinary artist with roots in theatre and puppetry, Mátyás Tóth from Hungary merges puppetry, visual abstraction, video installation, and physical theatre, to create thought-provoking…
Monika Popiel is a theatre director, somatic & sensory artist, and electronic designer and programmer from Poland. Monika graduated from the Directing Department of Aleksander…
For press or co-operation enquiries from institutions, please contact the Artistic Director Janine Arndt: j.arndt@stiftung-berliner-leben.de.
For all other enquiries, such as general information about the programme or questions about the application process, please contact us at FreshAIR-office@stiftung-berliner-leben.de.
We look forward to your message.
Your Team Fresh A.I.R.
